“Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer.”
If you’ve ever wanted to read a novel about a group of editors who have re-compiled a second edition of a book, that was originally found (and edited) by a slowly mentally unraveling tattoo artist apprentice junkie, and was originally written in a mixed media form by his junkie friend’s neighbor (found when he died under mysterious circumstances), that is a written description, history and analysis of a “found footage” documentary (that doesn’t exist) about a family inhabiting and exploring a house that is (much, much) larger on the inside than the outside, and is told in such a nonlinear and disorienting fashion to the point of inducing trepidation, extreme boredom, claustrophobia, anxiety, and general unease, then I’ve got some great news for you! House of Leaves is all of these things and tells all of these stories. It’s also kind of fun if you’re into weird mental puzzles.
I enjoyed it. Going into it, it was hard to deny the thematic similarities it shares with Infinite Jest, but as it progressed it started to diverge quite a bit from the direction I expected it to travel toward. Unfortunately, it doesn’t contain any of the amazingly beautiful prose or “new sincerity” of David Foster Wallace’s writing, but it has other qualities that make it very interesting. Mainly, the form of the novel mirrors the story. When characters are crawling through ever shrinking passageways, the margins on the outside edges of the text start to crawl inward. When characters are falling into ever deepening chasms, the text will angle or fall down the page, etc. It’s a very visual novel, and in that way I don’t think it could ever be an eBook. It’s a piece of art that is reliant on the exact physical specifications of the book containing it.
“He knows his voice will never heat this world”
Would I ever read it again? Nah, I don’t think there’s really much of a point. The story itself is overly soap operatic, the prose is good but it’s nothing amazing. The amount of cruft in this book is just mind-bogglingly excessive, and without the amazing prose or story to make that cruft serve a point, it’s just sort of there to make the experience disorienting, which I get is part of the form mirroring the story, but still, it’s the illusion of complexity rather than complexity itself. There are puzzles encoded into it that would probably be kind of fun to suss out, but I can pretty much guarantee that they aren’t going to provide some sort of satisfying answer to any questions left lingering. Reading it was an experience that I’m glad I had, and I have to admire the dedication and exacting nature it must’ve taken to bring something like this to life — it definitely rewards attention to detail — but, having read it, I have no desire to read it again.