Again, Dangerous Visions 1, edited by Harlan Ellison®

Again, Dangerous Visions was split into two for its mass market paperback release in 1973. This first half contains a few knockout stories, some pretty good ones, and lots of mediocre ones. At twice the length of the original Dangerous Visions, I can’t help but think that maybe Harlan Ellison® (who registered his name as a trademark in 2002) should’ve trimmed the fat a little more. Personally, I would’ve suggested starting with his overly long introductions to each story, a carryover from the original Dangerous Visions, and something I’ve written about previously here. One small book full of great stories beats two large mediocre ones any day.

If I average my scores for each story, the collection as a whole ends up just slightly lower than 2.5 stars out of 5. I’m rounding this up to 3, because the handful of terrific stories contained within—plus the unique opportunity for cultural examination of early 70s western social movements and politics through an SF lens—makes this a wholeheartedly worthwhile read, even in 2019.

The stories that either missed the mark for me, or don’t hold up any longer, seem to be those that valued shock over storytelling. What was shocking in the western world of 1972, isn’t always so 40+ years later. Good storytelling however, remains good storytelling.

Standouts:
The Word for World is Forest, by Ursula K. Le Guin
The Funeral, by Kate Wilhelm
When it Changed, by Joanna Russ
Monitored Dreams and Strategic Cremations, by Bernard Wolfe

Bottom of the Barrel:
Ching Witch, by Ross Rocklynne
Time Travel for Pedestrians, by Ray Nelson
King of the Hill, by Chad Oliver
Harry the Hare, by James B. Hemesath

Individual Story Reviews:
The Counterpoint of View, by John Heidenry: 1/5
Q: Who really wrote this story/essay, was it me The Author or you The Reader?
A: It was you, The (pretentious) Author. Somebody read Don Quixote recently. *sigh*

Ching Witch, by Ross Rocklynne: 1/5
Earth blows up, and it’s last remaining human goes to another planet to teach them various dances and live in luxury. Pointless and meandering.

The Word for World is Forest, by Ursula K. Le Guin: 5/5
Terrific novella, obviously influential to James Cameron’s Avatar (which I now believe can be 100% constructed from elements of Old Man’s War & The Word for World is Forest). Also very influential to the Ewoks in Return of the Jedi. Read my full review of this novella here.

It’s a moralistic story, and it had some insightful things to say about dangerous ideas entering the public consciousness. Basically, there is no going back. Here, specifically in relation to the concept of murder.

For Value Received, by Andrew J. Offutt: 3/5
A short little bit of absurdism, entertaining enough, but not particularly great.

Mathoms From the Time Closet, by Gene Wolfe: 2/5
I usually like Gene Wolfe a lot, but this was just two little pointless stories filled with pretentious bullshit, sandwiching one that was sort of fun, almost a mermaid tale in the sky.

Time Travel for Pedestrians, by Ray Nelson: 1/5
Weird little hallucination of a story.

Christ, Old Student in a New School, by Ray Bradbury: 3/5
A poem, not sure the meaning exactly but it seemed to allude to mankind imprisoning itself through religion.

King of the Hill, by Chad Oliver: 1/5
This story tried way, way too hard and failed absolutely to be dangerous or remotely visionary.

The 10:00 Report is Brought to you by…, by Edward Bryant: 4/5
While it was overly obvious from the first couple pages what was going on, it was still a deeply disturbing vision of the possible future of journalism in a society like ours that fetishizes suffering as a spectator sport.

The Funeral, by Kate Wilhelm: 5/5
Another deeply disturbing story, but it had a genuine point to make, and it made it well.

Harry the Hare, by James B. Hemesath: 1/5
Totally pointless. Soapbox opinion bullshit about cartoons and copyrights. Literary equivalent of Old Man Yells at Cloud.

When it changed, by Joanna Russ: 5/5
Terrific. I need to track down more of her work. Very impressed with this one.

The Big Space Fuck, by Kurt Vonnegut: 3/5
Yep, it’s weird and Vonneguty all right.

Bounty, by T. L. Sherred: 2/5
Too self congratulatory. Not dangerous or visionary.

Still-life, by K. M. O’Donnell: 1/5
Terrible. Skip it.

Stoned Council, by H. H. Holis: 3/5
Lawyers do a ton of drugs and then battle their cases out with their minds. Sort of a proto-cyberpunk story. Original at least.

Monitored Dreams and Strategic Cremations, by Bernard Wolfe: 5/5
This is really two stories, 1. The Bisquit Position, 2. The Girl with Rapid Eye Movements. They’re both excellent, and exactly the kind of stories I was looking for in this collection. Vietnam social commentary, with some slight SF backings.

With a Finger in My I, by David Gerrold: 3/5
Very nearly a bedtime story; a comedy of errors and literal/figurative mix ups. Some social commentary about belief, and self fulfilling prophesy as well.

In The Barn, by Piers Anthony: 2/5
I get it, I do.. but it’s cliche even by 70s standards.

Other Worlds, Other Gods, edited by Mayo Mohs

Other Worlds, Other GodsI’m a sucker for speculative fiction anthologies, especially these themed editions from the sixties and seventies. There’s something aesthetically vibrant about old sci-fi paperbacks, with their weirder-than-thou cover art depicting God knows what strangeness in an attempt to grab the wandering eyes of potential readers.

I found this tattered copy hiding somewhere in the middle of a big stack of mass market SF in the local warehouse of an online bookseller. This was a few years ago, back when they used to let you wander around their warehouse; they’ve since closed it up and only sell online, which if you ask me, is a real loss. I spent a lot of hours and dollars in that place back then, based only on a weird cover that I had to check out. A title and an ISBN in a list on a website just doesn’t compare to those stacks of musty books.

Other Worlds, Other Gods was published in the early seventies, and contains stories ranging from the fifties to the sixties, all religiously themed. A few of these were originally commissioned and published by the late Harlan Ellison® in the first of his Dangerous Visions anthologies.

There are only two or three terrific stories, a few decent ones, and a few that weren’t particularly good but at least were interesting conceptually, with prose that left a little to be desired. All of the stories however, are worth reading and finishing, and the book itself, long since out of print, is worth tracking down for the terrific seventies SF artwork. I greatly enjoyed the collection and ended up finishing it in a few sittings.

The Cunning of The beast, by Nelson Bond: 4/5
Fun concept, great execution. I would’ve liked a little more info on these non-corporeal beings that authored man though.

A Cross of Centuries, by Henry Kuttner: 3/5
Good/Evil internal struggle. A little formulaic, relied too heavily on a reveal toward the end that was entirely predictable. Posed some nice philosophical questions though: Does the end justify the means? What power to facilitate change toward peace does a peaceful person really have?

Soul Mate, by Lee Sutton: 4/5
I liked this concept a lot, and disliked the protagonist with a passion. I am fairly sure that his fevered misogyny was written as a negative character trait, and not so much as the author’s voice. You never know with some of this old sci-fi. Different times, etc…

The Word to Space, by Winston P. Sanders: 3/5
The idea of contacting an alien race and having their sole pursuit be proselytization is such a hilariously juicy concept. The exposition was terribly clunky, and the resolution seemed a bit idealistic (breaking up a theocracy simply by illustrating its flaws and logical problems). In a perfect world, etc, but that’s not how people behave in reality. Having this suggestion come from Catholicism of all sources, was a little more irony than I could accept.

Prometheus, by Philip Jose Farmer: 3/5
This is the longest story in the collection. A planet where birds seem to be the dominant species, nearly capable of audible speech. A monk is sent to observe their development and begins to interfere. I think that this would work a little better as a full novel, or even a series of novels. The birds progressed much too quickly to be believable. The ethical and theological concerns this monk has over the group that is eventually following his lead, is the core of the story, and was handled decently.

The Nine Billion Names of God, by Arthur C. Clarke: 2/5
A cautionary tale of sorts. The lesson? Don’t look down on those who seem less intelligent than yourself. Cliche story, but Clarke’s writing style is worth a couple stars on it’s own. I’ve seen this story get high marks from a lot of SF aficionados, and my dislike may be a case of having read it much too late in my life.

The Vitanuls, by John Brunner: 5/5
Such an amazing short story. Stop what you’re doing now and track it down.

Judas, by John Brunner: 5/5
Okay, I have to read more John Brunner. This story was incredible and exactly the type of thing I was looking for from this book. Easily my favorite of them all.

The Quest for Saint Aquin, by Anthony Boucher: 4/5
A catholic priest and a robot donkey (“robass” really? Couldn’t think of a better name for it?) ride in search of a miracle in a future where Christians are a persecuted minority. It’s not as bad as it sounds. Actually, it was quite good.

Balaam, by Anthony Boucher: 2/5
The only thing that really saves this story for me was the multisided POVs. Again, Boucher found a way to work in a “Mule” character, this time on Mars.

Evensong, by Lester del Rey: 4/5
A desperate God on the run from Man’s vengeance. The idea of man slowly becoming more and more powerful, until God fears Man is really intriguing. Nice prose.

Shall The Dust Praise Thee?, by Damon Knight: 3/5
God’s vengeance may have been a little bit more than he bargained for. It seems that man could only take so much torment. This could’ve been executed a lot better, but I liked the concept.

Christus Apollo, by Ray Bradbury: 3/5
Poetic speculations into a slightly differing Christ mythology on other worlds.

Dangerous Visions, edited by Harlan Ellison®

Dangerous VisionsSomething clicked in my head when I turned thirty; I started devouring older science fiction stories. I was an avid reader during my teens, but I read very little during my twenties for whatever reason. I think I suddenly realized how many valuable novels and stories and how much interesting history and perspective I missed out on throughout my twenties. Catching up for lost time became a real priority in my thirties.

The Golden Age science fiction stories of the thirties, forties and fifties were a little less focused on stylistic prose or quality writing, and a little too culturally and scientifically removed from my era to interest me. Instead of beginning there, I jumped forward to the New Wave era that hit in the mid sixties. Story-wise, New Wave was much more inwardly focused, and valued style and prose as much as the Golden Age valued grand ideas and outward exploration. This was the beginning of what a lot of folks today call “Literary Science Fiction” or “Speculative Fiction”. It was a concerted effort spearheaded by Harlan Ellison® (yes, his name actually has a ® in it) to bring Sci-Fi out of the pulps and show the world the literary value of speculation in fiction.

Harlan EllisonDangerous Visions is the defining Speculative Fiction anthology of the New Wave era. Released in 1967, this anthology announced New Wave SF to the world. It contains 35 stories, each never before published. When assembling the anthology, Ellison had each author write a story that they thought explored a dangerous vision or concept. There are some excellent stories here, a few decent ones, and some real stinkers that are terribly trite and not at all dangerous or visionary. Then again, it’s hard to read these within the context of the time in which they were written. Free love, the civil rights movement, women’s lib, etc. Considering all of this, I was surprised by how misogynistic and backward some of these stories were. There has been a lot of progress since the sixties.

Harlan Ellison® writes an introduction to every story, and the author has a brief afterword. The introductions quickly became my least favorite part of the book, as Ellison gushes and extols endlessly about each author. It became a little tedious, like an advertisement by a stakeholder for their project right before experiencing the project itself. I eventually began skipping the introductions, only coming back to read them if I wanted more background about an author or story. I would much rather let each work speak for itself than hear the editor of the anthology tell me why it is valuable.

Some of these stories may have been dangerous visions in the late sixties. Now? Mostly not so much. I still immensely enjoyed the anthology, and there is a huge wealth of knowledge and historical perspective to be gained from reading it. I rated each story individually, with the average rating for the whole collection being 3 out of 5, rounded up.

 

Individual reviews:
Evensong, Lester del Rey: 4/5
A desperate God on the run from Man’s vengeance. The idea of man slowly becoming more and more powerful, until God must fear Man. Very nice prose.

Flies, Robert Silverberg: 1/5
Robert Silverberg completely botches the definition of empathy in the most pseudo-intellectual manner imaginable. I get what he was trying to say, but he failed miserably.

The Day After the Day After the Martians Came, Fredrick Pohl: 3/5
Probably really great in ’67, but it relied very heavily on cultural jokes that everyone at the time would’ve been familiar with; I’ve never heard any of them. Still a cool little story.

Riders of the Purple Wage, Philip Jose Farmer: 1/5
Nearly incoherent misogynistic rambling about a future where everyone is mentally deficient. He almost had an idea, but gets distracted by how women are fat liars and just want to have abortions all of the time. This is Ellison’s favorite story in the collection, which is uh… okay dude.

The Malley System, Miriam Allen deFord: 2/5
A future in which violent crimes are punished in unique ways. It didn’t really resonate with me.

A Toy for Juliette, Robert Bloch: 5/5
Terrific. Sadistic and disturbing, but written very well and with a nice cyclical tone.

The Prowler in the City at the Edge of the World, Harlan Ellison: 2/5
A sequel to the previous story. Started out strong, but devolved rather rapidly. I find myself disliking Ellison more and more as I go on.

The Night That All Time Broke Out, Brian W. Aldiss: 3/5
Cool premise, uneven execution.

The Man who Went to the Moon Twice, Howard Rodman: 4/5
Not speculative fiction at all, but I really liked it.

Faith of our Fathers, Philip K. Dick: 3/5
This one had a lot going for it; a little let down by the ending.

The Jigsaw Man, Larry Niven: 3/5
Tackles the problem of organ shortages in a world were immortality is in reach…for some.

Gonna Roll The Bones, Fritz Leiber: 4/5
I nearly didn’t read this one after suffering through its terribly heavy handed first sentence. I’m glad I did. Like most old science fiction, it was too misogynistic for my liking, but the storytelling and prose eventually won me over.

Lord Randy, My Son, Joe L. Hensley: 5/5
My favorite so far. Great characters, and a captivating, sad story.

Eutopia, Poul Anderson: 4/5
Inter dimensional anthropology. I liked this one, although the language was a bit too ‘fantasy’ for my personal tastes.

Incident in Moderan, David R. Bunch: 5/5
Happy warmonger robots. Awesome.

The Escaping, David R. Bunch: 0/5
Terrible. Total gibberish.

The Doll-House, James Cross: 3/5
Like a twilight zone episode. One of those cautionary tales.

Sex and/or Mr Morrison, Carol Emshwiller: 3/5
I like her writing style. I didn’t quite get the story but the prose was beautiful.

Shall The Dust Praise Thee?, Damon Knight: 3/5
God’s vengeance may have been a little bit more than he bargained for. It seems that man could only take so much torment. This could’ve been executed a lot better, but I liked the concept.

If All Men Were Brothers, Would You Let One Marry Your Sister?, Theodore Sturgeon: 5/5
So far, the only story that I would actually consider a ‘Dangerous Vision’. It’s disturbing, and pokes at deeply held moral and cultural constructs. It also really weirded me out. Disturbing.

What Happens To Auguste Clarot?, Larry Eisenberg: 1/5
Meh.

Ersatz, Henry Slesar: 2/5
Slightly less meh.

Go, Go, Go, Said The Bird, Sonya Dorman: 2/5
Post apocalyptic cannibals.

The Happy Breed, John T. Sladek: 4/5
People slowly turning their happiness over to machines. A really solid little cautionary tale, born of a fear of technology. It’s even more interesting thinking about how much more we depend on technology these days.

Encounter With a Hick, Jonathan Brand: 3/5
A fun little biblical/evolution bar conversation recounted to an authority.

From the Government Printing Office, Kris Neville: 1/5
Told from the POV of a 3.5 year old in the future. Boring.

Land of the Great Horses, R. A. Lafferty: 4/5
Cool little story about the origin of Gypsies.

The Recognition, J.G. Ballard: 3/5
Terrific writing, not speculative fiction at all. Not particularly dangerous either—maybe in the 60s—in the 2010s it’s a bit trite.

Judas, John Brunner: 5/5
Okay, I have to read more John Brunner. This story was incredible and exactly the type of thing I was looking for in this book. Solid solid solid.

Test to Destruction, Keith Laumer: 4/5
Political usurping, tyrany, sentient hive mind aliens, testing people’s limits and morality.

Carcinoma Angels, Norman Spinrad: 3/5
An overachiever sets his sights on cancer; takes it one step too far. This one is kind of quirky/fun.

AUTO-DA-FÉ, Roger Zelazny: 3/5
Man vs machine, told in a matador vs bull analogy. I liked it. It felt like a fairytale or half remembered dream of a mechanic.

Aye, and Gomorrah…, Samuel R. Delany: 1/5
A story about attraction between earth bound people, and neutered space dwelling people. Interesting concept, bad execution. It didn’t flow well, and was hard to follow.

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